CN-121986987-A - Modern national costume of non-flower bird and beast embroidery pattern
Abstract
The present invention discloses a modern ethnic costume with embroidery patterns of intangible cultural heritage flowers, birds, and animals, which relates to the field of clothing design. Specifically, it is a modern ethnic costume with embroidery patterns of intangible cultural heritage flowers, birds, and animals, including a standing collar shirt and a horse face skirt, both of which are equipped with detachable accessories on the end face, and a skirt door on the end face of the horse face skirt. The embroidery on the skirt door includes patterns of golden rooster, bat, etc. The golden rooster and phoenix are layered and layered, with wings gradually transitioning and adorned with gold foil; Peony and orchid combine realistic freehand brushwork, with petal lock embroidery and edge trimming, and stamen plate gold embroidery. The cuffs and hem of the stand up shirt are lined with indigo cotton fabric, and the outer edge is wrapped with rolled silk of the same color. The inner side is pressed back with a pattern, and the rolled edge is pre shrunk with warm water and gradually narrows to fit the shoulder line. The horse face skirt has pleats on both sides of the skirt door, and is lined with plain colored fabric to prevent wear and tear. Accessories include tassel pendants, and metal pieces are chiseled and aged to appear shiny silver. The concealed seam on the front of the standing collar shirt is embroidered with symmetrical intertwined branches and curled grass patterns on both sides, extending with the curvature of the garment.
Inventors
- JIANG YANMEI
Assignees
- 蒋艳梅
Dates
- Publication Date
- 20260508
- Application Date
- 20260206
Claims (10)
- 1. The modern national costume with the embroidery pattern of the non-genetic flower birds and beasts comprises a stand-up collar shirt (1) and a horse face skirt (2), and is characterized in that the end faces of the stand-up collar shirt (1) and the horse face skirt (2) are provided with ornament matching parts (3), and the end face of the horse face skirt (2) is provided with a skirt door (4).
- 2. The modern national costume of a non-floral bird and beast embroidery pattern as claimed in claim 1, wherein the embroidery pattern of the skirt gate (4) comprises structures such as caragana, bat, butterfly, phoenix, peony and orchid.
- 3. The modern national costume with the embroidery pattern of the non-floral birds and beasts as claimed in claim 1, wherein the accessory (3) is of a detachable design and comprises a tassel pendant, a metal hollowed-out pressing front part and an embroidery waist sealing button, and is connected to the positions of the front part and the skirt waist through a hidden button or a lacing.
- 4. The modern national costume of a non-floral bird and beast embroidery pattern as claimed in claim 2, wherein the caragana and phoenix in the embroidery pattern adopt a layered embroidery technique, the bird wing transits from shallow to deep with gradual color silk thread, and the feet are decorated with gold foil sheets to simulate the claw-toe texture.
- 5. The modern national costume of a non-floral bird and beast embroidery pattern as claimed in claim 2, wherein the peony and orchid are patterned by combining writing and intention, the edges of petals are folded by a embroidery locking process, and the stamens of the flower stamens are highlighted by a coil golden embroidery.
- 6. The modern national costume of a non-floral bird and beast embroidery pattern as claimed in claim 1, wherein the cuffs of the stand-up collar shirt (1) and the lower hem are lined with indigo cotton cloth, the outer edge is sewn with a same-color silk chiffon for edging, and the inner side of the edging is stamped with a continuous zigzag pattern.
- 7. The modern national costume of a non-genetic flower bird and beast embroidery pattern as claimed in claim 1, wherein the two sides of the skirt gate (4) of the horseface skirt (2) are provided with pleats, and plain-colored rib fabric is adhered in each pleat to prevent embroidery abrasion.
- 8. The modern national costume of a non-floral bird and beast embroidery pattern as claimed in claim 1, wherein the metal parts in the accessory (3) are engraved by a chiseling process, and the surface is subjected to distressing treatment to present bright silver texture, so that the reflection of light is avoided to interfere with the pattern vision.
- 9. The modern national costume of a non-floral bird and beast embroidery pattern as claimed in claim 1, wherein the central line of the front part of the stand-up collar shirt (1) is provided with a hidden splice seam, and symmetrical branch winding grass patterns are embroidered on two sides of the splice seam, and the pattern extends along with the radian of the costume body in a natural bending way.
- 10. The modern national costume of a non-floral bird and beast embroidery pattern as claimed in claim 6, wherein the silk yarn is rolled by warm water preshrinking treatment before seam wrapping, the width of the rolled edge is gradually narrowed from the cuffs to the shoulders, and the rolled edge forms fit transition with the shoulder line outline of the stand-up collar shirt.
Description
Modern national costume of non-flower bird and beast embroidery pattern Technical Field The invention relates to the field of clothing design, in particular to modern national clothing with non-embroidery patterns for birds and beasts. Background The Chinese traditional national costume develops thousands of years, and forms distinct regional characteristics and profound cultural connotation. The embroidery is an important decoration technology, not only bears auspicious meaning and aesthetic interest, but also embodies the wisdom and technical inheritance of the craftsman in different historical periods. Flower bird and animal subjects are particularly common in embroidery, such as caragana symbolizes rich and honor, bat is prosperous and fortune, phoenix represents auspicious, peony shows luxury and orchid-mailing is high-cleanness, and the pattern often transmits a good wish of praying for luck and happiness through harmonic sounds and symbolization techniques and becomes an important carrier of non-genetic culture. However, under the impact of fast-paced life and fashion trends in modern society, the traditional embroidery pattern and national clothing structure face the double challenges of inheritance and development. The national style clothes in the current market mainly adopt simplified or symbolized traditional element collages, and the depth of the non-genetic embroidery process and the cultural context are not excavated enough. For example, part of products only copy the patterns of flowers and birds through plane printing or machine embroidery, and the patterns lack of three-dimensional layering and manual temperature due to the lack of the application of traditional techniques such as halving layering embroidery, coil metal embroidery, lock embroidery and the like, and in structural design, the functions of the skirt gate and the pleats of the traditional horse face skirt are often weakened or are simply overlapped with the modern skirt layout, so that the dynamic aesthetic feeling of the traditional clothes is damaged, and the abrasion and visual cleavage of the embroidery patterns are easily caused. In addition, the traditional accessories such as tassels, press flaps and the like are mostly of fixed designs, so that the flexibility and individuation requirements of modern wearing scenes are difficult to adapt, and the reflection problem of metal parts often interferes with the ornamental value of embroidery patterns. From the cultural heritage point, the heritage of the non-embroidery bird and beast embroidery depends on the re-engraving of the pattern itself, and the cooperative relationship between the pattern and the whole structure of the clothing is more concerned. The conventional edging process of the stand-up collar shirt and the folding treatment of the horse face skirt all contain practical and decorative double logics, such as an indigo cotton lining has sweat absorbing and stiff functions, the smooth texture of the real silk chiffon edging can strengthen the smoothness of the clothing lines, and the design of the skirt gate folding directly influences the dynamic presentation effect of the pattern during walking. In existing designs, such details are often ignored, resulting in a traditional process that is difficult to balance with the functionality and comfort of modern apparel. On the other hand, the demand of modern consumers for national costumes has changed from a simple 'symbolized expression' to 'cultural experience consumption', which not only pursues the storyline behind the pattern, but also pays attention to the wearing reality and the collocation freedom. For example, the design of the detachable accessory can meet the modeling conversion of different occasions, but the connecting mode of the accessory and the clothing body in the prior art is hard, the concealment and the firmness of the hidden button or the lacing are difficult to be compatible, and if the process treatment of the metal part only pursues modern luster, the process treatment of the metal part is easy to conflict with the matt texture of the traditional embroidery, and the whole visual harmony is destroyed. Disclosure of Invention The invention aims to provide modern national clothes with non-heritable bird and animal embroidery patterns, which not only maintains non-heritable charm, but also improves the practicability and the attractiveness of the clothes and displays new charm of the national clothes by combining the structural collocation of a stand-collar shirt and a horse face skirt and the characteristic accessory design and a plurality of embroidery techniques and detail processes. The modern national dress with the patterns of the non-ornamental birds and beasts is realized through the following technical scheme, and the modern national dress comprises a stand-up collar shirt and a horse face skirt, and is characterized in that the end faces of the stand-up collar shirt and the horse face s