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CN-121989347-A - Uniform Tao Dui flower technique based on intention texture stacking method

CN121989347ACN 121989347 ACN121989347 ACN 121989347ACN-121989347-A

Abstract

The invention discloses a Tao Dui flower technique based on an intention texture stacking method, which relates to the technical field of ceramic decoration, and comprises the following steps of S1, powder slurry, S2, draft, namely, drawing a contour manuscript of creation contents by using ink on a proper Tao Taiti surface, S3, priming, namely, carrying out local stacking on a position of a picture to be highlighted by using child mud to form a preset thickness and a three-dimensional foundation, S4, mixing color mud of two or more color powders to prepare various color mud containing basic colors and adjacent colors, reducing the dependence of traditional stacking on long-term hand feeling memory, lifting the stacking technique from decorative pattern manufacture to painting creation on a ceramic carrier, and providing a technical path for artistic person entering the field only by depending on the existing painting capability to quickly understand and master a core learning curve.

Inventors

  • Lv ge

Assignees

  • 吕舸

Dates

Publication Date
20260508
Application Date
20260202

Claims (10)

  1. 1. The uniform Tao Dui flower technique based on the intention texture stacking method is characterized by comprising the following steps of: S1, painting background color or gradual change basic tone on the surface of a matrix by adopting color slurry according to the picture requirement; S2, drawing a draft, namely drawing a contour draft of the authored content on a proper Tao Taiti surface by using ink; S3, priming, namely locally stacking the position of the picture to be highlighted by using the child mud to form a preset thickness and a three-dimensional foundation; S4, color mixing, namely mixing two or more color powders of color mud to prepare various color mud containing basic color and adjacent color, and ensuring that the same color mud material is mixed in a one-time sufficient quantity; S5, free stacking, namely rolling and forming the color paste prepared in the step S4 by using a thumb, and stacking and pasting the color paste on the surface of a matrix in a contact, overlapping and blending pen touch arrangement manner in the outline of the manuscript in a smearing manner to form a convex picture with rich color transition and natural pen touch texture, wherein the height of the convex picture is 30% -70% of the visual height of the expressed object; S6, tidying and drawing, namely tidying and summarizing the stacked pictures by using a tidying and drawing tool, and describing local textures so as to integrate and unify the shaping and the color expression.
  2. 2. The samming Tao Dui flower technique according to claim 1, wherein in the step S2, the color paste is prepared by blending toner, white paste and water in proportion, and the background layer is formed by brushing 2-5 times.
  3. 3. The samplings Tao Dui flower technique in accordance with claim 1, wherein in step S4, the mixing of the color mud includes sufficient blending to form a uniform color mud and insufficient blending to form a twisted mud with a natural twisted pattern effect.
  4. 4. The method according to claim 1, wherein in the step S5, the twisting and forming refers to twisting and forming color mud into mud beads or mud strips with unfixed size, and the pen-touch arrangement refers to simulating the trend, thickness and superposition relationship of drawing pen touches during stacking.
  5. 5. The method according to claim 1, wherein in the step S5, the surface of the picture formed by piling is not smooth, and natural relief and laminated edges formed by finger rubbing are deliberately reserved to present vivid three-dimensional effects such as a touch feeling and relief of a painting brush.
  6. 6. The method according to claim 1, wherein in the step S6, the painting tool comprises a cone bar, and the painting process comprises defining edges of the pile, adjusting overall layout of the picture, fine tuning color gradation, and adding texture by dot, line, and surface painting.
  7. 7. A special color mud set for realizing the technique of any one of claims 1-6, which is characterized in that the special color mud set is prepared by mixing white, green, cinnabar, purple and yellow basic color powders, the color mud is moderate in dryness and humidity, no obvious adhesion is generated on hands during stacking, and the color boundaries of different color mud are clear and difficult to mix when the different color mud are connected or overlapped.
  8. 8. A common Tao Duihua artwork produced by the technique of any one of claims 1 to 6, characterized in that the surface decoration picture has a relief effect with obvious hand touch texture and rich color transition, which is formed by directly piling color mud materials, and the picture expression subject matter is a pictorial drawing, handwriting or photographic image style.
  9. 9. The uniform Tao Duihua artwork according to claim 8, wherein the artwork is provided with a uniform glaze on the surface of the stacked flowers, and the glaze color and the pen touch texture and color gradation of the stacked flowers are mutually penetrated and blended to form a natural underglaze decoration effect.
  10. 10. A tidying and drawing tool for post-processing of a uniform Tao Dui flower picture is characterized in that the tidying and drawing tool is a rod-shaped tool, one end of the tidying and drawing tool is a flat or wedge-shaped head and is used for trowelling, embossing, outlining lines and embellishing traces on the surface of an unfired flower mud blank so as to tidy the picture and enrich texture.

Description

Uniform Tao Dui flower technique based on intention texture stacking method Technical Field The invention belongs to the technical field of ceramic decoration technology, and particularly relates to a common Tao Dui flower technique based on an intention texture stacking method. Background The Yixing Tao Dui flower technique is a national non-matter cultural heritage, and is characterized by that the colour mud pile is stuck on the matrix to form a pattern by using thumb and five finger methods of rubbing, twisting, plastering, pressing and right-pressing. The traditional technique is good at expressing regular and fine lucky patterns, pursuing the aesthetic standard of the fine jade feeling and the picture is neat, and the technique is essentially to copy and combine by piling up standardized mud points and mud strips to form a stylized decorative picture. However, with the development of multiple arts, the traditional stacked flower technique has obvious limitations in representing artistic forms such as traditional Chinese painting, calligraphy, oil painting and photography, such that the technique is difficult to imitate the random pen touch, subtle color transition and rich light and shadow changes in painting, the technique constrains the personalized expression of the artist, and meanwhile, the traditional technique has long learning period and takes time and labor, thus leading to subsequent fatigue and restricting the innovation and development of the ceramic-sharing art. Therefore, a new Tao Dui flower technique capable of freeing the artistic expression of the creator, reducing the technical threshold, and vividly reproducing the essences of various painting styles is needed. Therefore, in order to solve the above-mentioned problems, it is necessary to provide a uniform Tao Dui flower technique based on the intention texture stacking method. The information disclosed in this background section is only for enhancement of understanding of the general background of the invention and should not be taken as an acknowledgement or any form of suggestion that this information forms the prior art already known to a person of ordinary skill in the art. Disclosure of Invention The invention aims to provide a common Tao Dui flower technique based on an intention texture stacking method, which not only reduces the dependence of the traditional stacking on long-term hand feeling memory, but also improves the stacking process from decorative pattern manufacture to pictorial creation on a ceramic carrier, and is more suitable for representing written real art works. In order to achieve the above object, a specific embodiment of the present invention provides the following technical solution: A uniform Tao Dui flower technique based on an intention texture stacking method comprises the following steps: S1, painting background color or gradual change basic tone on the surface of a matrix by adopting color slurry according to the picture requirement; S2, drawing a draft, namely drawing a contour draft of the authored content on a proper Tao Taiti surface by using ink; S3, priming, namely locally stacking the position of the picture to be highlighted by using the child mud to form a preset thickness and a three-dimensional foundation; S4, color mixing, namely mixing two or more color powders of color mud to prepare various color mud containing basic color and adjacent color, and ensuring that the same color mud material is mixed in a one-time sufficient quantity; S5, free stacking, namely rolling and forming the color paste prepared in the step S4 by using a thumb, and stacking and pasting the color paste on the surface of a matrix in a contact, overlapping and blending pen touch arrangement manner in the outline of the manuscript in a smearing manner to form a convex picture with rich color transition and natural pen touch texture, wherein the height of the convex picture is 30% -70% of the visual height of the expressed object; S6, tidying and drawing, namely tidying and summarizing the stacked pictures by using a tidying and drawing tool, and describing local textures so as to integrate and unify the shaping and the color expression. In one or more embodiments of the present invention, the color slurry is formed by mixing toner, white slurry and water in proportion, and the background layer of the picture is formed by brushing for 2-5 times. In one or more embodiments of the invention, the mixing of the color mud includes sufficient fusion to form a uniform color mud and insufficient fusion to form a twisted mud with a natural twisted pattern effect. In one or more embodiments of the present invention, in the step S5, the rolling forming refers to rolling the color paste into a shape and a paste bead or a paste bar with a non-fixed size, and the pen-touch arrangement refers to simulating the trend, thickness and superposition relationship of the painting pen touch during stacking. In one or more embodiments of th