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KR-20260065441-A - Harmonica, essy learn

KR20260065441AKR 20260065441 AKR20260065441 AKR 20260065441AKR-20260065441-A

Abstract

The present invention relates to a harmonica that is easy to learn, and in particular, to a harmonica that allows a beginner to easily learn the arrangement of notes without having to learn the arrangement of notes separately by arranging the arrangement of notes in a row. In a harmonica in which each note is arranged in order, it is characterized by having a silent hole between the B note and the C note that does not have a sound-absorbing or harmonic diaphragm. According to the harmonica of the present invention, C is an overtone and D is a sound absorber. Since C is an overtone, F is a sound absorber, G is an overtone, A is a sound absorber, B is an overtone, and C one octave above is an overtone, when played in the order of overtones and sound absorbers according to the arranged order, a beginner can easily play without having to learn the arrangement of each note of the solfège separately.

Inventors

  • 박춘상
  • 박기경

Assignees

  • 박춘상
  • 박기경

Dates

Publication Date
20260508
Application Date
20241127
Priority Date
20241029

Claims (8)

  1. In a harmonica where each note is arranged in order, A harmonica characterized by having silent holes between the notes C and C or between the notes A and B, without sound-absorbing or harmonic diaphragms.
  2. In paragraph 2, A harmonica characterized by having a hole capable of intake or exhaust in the above-mentioned silent hole.
  3. In paragraph 1, A harmonica is a diatonic harmonica characterized by having diaphragms of C, E, G, and B arranged and fixed in a continuous sequence on the upper side of the hole, and diaphragms of D, F, and A and a silent tone arranged and fixed in a continuous sequence on the lower side of the hole.
  4. In paragraph 2, A harmonica is a tremolo harmonica characterized by being arranged in succession in the order of Do, Re, Mi, Fa, Sol, La, Si, silent, and Do, and having vibrating plates of Do, Re, Mi, Fa, Sol, La, Si, and Do arranged and fixed in succession.
  5. In Paragraph 3 or 4, A harmonica characterized by the fact that the notes Do, Mi, Sol, and Si are overtones, and the notes Re, Fa, and La are absorbents.
  6. In paragraph 2, A harmonica is a tremolo harmonica characterized by being arranged in succession in the order of Do, Re, Mi, Fa, Sol, La, silent, Si, and Do, and having vibrating plates of Do, Re, Mi, Fa, Sol, La, Si, and Do arranged and fixed in succession.
  7. In a harmonica where each note is arranged in order, A harmonica characterized by having a redundant arrangement of A or B notes, wherein the preceding A or B note is an overtone and the following A or B note is an absorbent.
  8. In a harmonica where each note is arranged in order, A harmonica characterized by the notes Do, Re, Mi, Fa, Sol, La, Si, and Do being arranged in duplicate, with one of the duplicated notes being an overtone and the other being an absorbent.

Description

Easy-to-learn Harmonica The present invention relates to an easy-to-learn harmonica, and more specifically, to a harmonica in which a beginner can easily learn the arrangement of notes without having to learn the arrangement of notes separately by arranging the notes in a row. A harmonica produces sound when the diaphragm vibrates as air is blown in or sucked in. In the following, the sound produced when blowing air with the mouth is called an overtone, and the sound produced when inhaling is called an absorbent. Types of harmonicas include diatonic harmonicas, tremolo harmonicas, and octave harmonicas. As shown in FIG. 9, a conventional diatonic harmonica has holes arranged in a row, and a diaphragm is fixed to the upper and lower sides of the holes. On the upper side, diaphragms for the notes C, E, G, and C are repeatedly fixed, and on the lower side, diaphragms for the notes D, G, B, D, F, A, B, D, F, and A are fixed. And the positions of each note—Do, Re, Mi, Fa, Sol, La, Si, and Do—are not arranged according to the order of the notes. As shown in FIG. 10, a conventional tremolo harmonica has holes arranged in two rows on the upper and lower sides, and a diaphragm is fixed to the upper surface of the upper hole, and a diaphragm is fixed to the lower surface of the lower hole. The diaphragms fixed to the upper and lower sides are designed to have the same pitch, and the notes C, E, and G vibrate as harmonics, while the notes D, F, A, and B vibrate as sound absorption. And the positions of each note—Do, Re, Mi, Fa, Sol, La, Si, and Do—are arranged in the order of Do, Re, Mi, Fa, Sol, La, Do, Si in the middle octave; in the order of Sol, Re, Do, Fa, Mi, La, Sol, Si, Do in the low octave; and in the order of Do, Si, Mi, Re, Sol, Fa, Do, La, Mi, Si in the high octave. In particular, in the lower and higher octaves, the arrangement of notes is completely different from the order of the musical scales. Therefore, because conventional harmonicas such as diatonic harmonicas, tremolo harmonicas, and octave harmonicas have different arrangements according to pitch order, people learning the harmonica for the first time have difficulty mastering the arrangement of pitches. FIGS. 1 and 2 are drawings illustrating the tone arrangement, harmonics, sound absorption, and silence of a diatonic harmonica according to the present invention. FIGS. 3 and 4 are drawings showing an arrangement having a silent tone between B and C, as well as harmonics and sound absorption, in a tremolo harmonica according to the present invention. FIG. 5 is a drawing showing the arrangement of overlapping notes, harmonics, and sound absorption in a tremolo harmonica according to the present invention. FIG. 6 is a drawing showing an arrangement having a silent tone between A and B, as well as harmonics and sound absorption in a tremolo harmonica according to the present invention. FIG. 7 is a drawing showing the arrangement of overlapping A, harmonics, and sound absorption in a tremolo harmonica according to the present invention. FIG. 8 is a diagram showing that in a tremolo harmonica according to the present invention, each note is arranged in duplication, and among the duplicated notes, the first note is an overtone and the second note is a sound absorber. FIG. 9 is a drawing showing the note arrangement of a diatonic harmonica according to the prior art. FIG. 10 is a drawing showing the note arrangement, harmonics, and sound absorption of a tremolo harmonica according to conventional technology. The above and other objects and novel features of the present invention will become more apparent from the description in this specification and the accompanying drawings. Hereinafter, an embodiment of a diatonic harmonica according to the present invention will be described with reference to the drawings. Figures 1 and 2 are diagrams showing the tone arrangement, harmonics, sound absorption, and silence of a diatonic harmonica. [Example 1] In the diatonic harmonica of Fig. 1, the harmonica is equipped with 10 holes, and in each hole, two diaphragms are fixed on the upper and lower sides. The arrangement of notes is such that the diaphragms for Do and Re are fixed above and below the first hole, Mi and Fa above and below the second hole, Sol and La above and below the third hole, and Si above the fourth hole, while the area below the fourth hole has no diaphragm and is equipped with an intake/exhaust hole (marked with ☆) where the performer can absorb sound. And the diaphragms fixed on the upper side produce sound as harmonics, and the diaphragms fixed on the lower side produce sound as sound absorption. In FIG. 1, ● is a harmonic that is blown, and ○ is a sound absorber that is sucked. In the present invention, since the C note and the C note are blown harmonics, ★ is a sound absorber that is sucked between the C note and the C note. The performer may also make ★ a harmonic if necessary. To play Do, Re, Mi, Fa, Sol, La, Si, Do, the player needs to